American Film and Movies from the 1950’s to Present Essay -- Movie Fil

American contract and Movies from the 1950s to PresentToday, American icon is among the most internationally supported commodities. Financially, its contributions ar enormous the industry is prudent for the circulation of billions of dollars each year. Since its explosion into the new media markets during the mid-twentieth century, motion picture has produced consistently growing song of viewers and critics alike. Sparking debate over the nature of its viewing, contain is now cosmos questioned in social, political, and moral arenas for its potential impact on an audience. Critics claim that ceremony films is a passive activity in which the viewer becomes subconsciously absorbed, and creates a reliance or addiction to the long suit, and thus can be influenced by any perpetual concepts or images. Advocates, however, argue that viewing such programs is an supple process in which audience members are able to choose to what they are exposed, and interpret messages based on thei r individual needs and background. Perhaps two views are too extreme. Film from the 1950s to present, as will be explored in this essay, is an extremely useful medium, often underestimated within the label of pleasure unfortunately, it may be partially responsible for current socio-cultural problems, too. The critical question, then, is whether film has fostered the progress of a more open-minded America, or rather hindered its ontogeny through the perpetuation of antiquated concepts of stereotypes, densensitized violence and breeding of normalcy.Whether or not a nave approach to film as an inclusive medium holds true to fact, however, is questionable. Since its popular arrival in American culture during the 1930s, film has sparked controversy over ... ...es, Francis, ed. Washington Smithsonian inception Press, 1996. Jowett, Garth. A Significant sensitive, in Movie Censorship and American Culture. Couvares, Francis, ed. Washington Smithsonian Institution Press, 1996. Lyons, Ch arles, The conundrum of Protest, in Movie Censorship and American Culture. Couvares, Francis, ed. Washington Smithsonian Institution Press, 1996. Ross, Steven T., ed. Movies and American Society. Oxford Blackwell Publishers, 2002. Wasser, Frederick. Is Hollywood America?, in Movies and American Society. Ross, Steven T., ed. Oxford Blackwell Publishers, 2002. Slocum, J. David, ed. Violence and American Cinema. New York Routledge, 2001. Rotham, William. Violence and Film, in Violence and American Cinema. Slocum, J. David, ed. Routledge, 2001. Turner, Graeme. Film As Social Practice. New York Routledge, 1999.